FUJIFILM lately hosted an occasion on the ASC Clubhouse to showcase its newest imaging applied sciences, starting from skilled cameras and lenses to high-end cinema merchandise. Throughout the day, we had the chance to talk with FUJIFILM’s Stosh Durbacz and Michael Bulbenko and ask them a number of questions on their state-of-the-art techniques.
Like a chameleon, the Japanese producer transitions seamlessly from hybrid mirrorless cameras, like its well-liked XT and XH sequence (which incorporates our 2022 Mirrorless Digital camera of the 12 months, by the best way), to box-style lenses for cinema and broadcast functions. Their product line spans so many alternative use instances and targets that it is not arduous to search out.”the best device for the job”.
Hosted lately on the historic American Society of Cinematographers Clubhouse in Hollywood, FUJIFILM Day was an ideal event for filmmakers, cinematographers and fans to delve into “all issues FUJIFILM.” My colleague Graham was there reporting from the sphere, so let’s check out the highest merchandise that caught his eye!
FUJIFILM Day at ASC Clubhouse: Movie Vary Merchandise
Coming into the ASC Clubhouse foyer, guests have been greeted by the big FUJINON HKZ25-1000mm field lens, the event of which was first introduced in October final yr. Though we briefly mentioned the disruptive idea behind this lens with Stosh in a earlier video, its monumental focal size vary and excessive diploma of flexibility by no means stop to amaze us.
In contrast to conventional broadcast-style lenses, which generally characteristic a B4 mount, this 25-1000mm Tremendous 35 zoom comes with a local “cine-style” PL mount. It integrates a 1.5x expander making it appropriate with giant format cameras such because the Sony VENICE 2. Subsequently, whereas permitting broadcasters to realize a “cinematic look” throughout protection of sports activities and reside occasions, Options of this case model The lens additionally winks at huge film productions.
Plus, it is fascinating to see how the crossover between broadcast and cinema additionally impacts the corporate’s Premista line of wide-format lenses. The truth is, though initially supposed to be used on movie units, the Premista 19-45mm T2.9, 28-100mm T2.9 and 80-250mm T2.9-3.5 may be simply tailored to workflows of ENG model due to transmission-oriented know-how. equipment, equivalent to the entire Chrosziel servo drive unit.
Body.io C2C integration for FUJIFILM X-H2S
Whereas most purists could put it down, the presence of a collection of FUJIFILM mirrorless fashions on the ASC Clubhouse reveals that cameras just like the X-H2S are garnering consideration from the movie trade, serving to Digital camera to flourish. -to- Cloud-related merchandise final yr.
In October, the X-H2S was the primary digital camera to natively combine Body.io’s C2C options for direct add of RAW/JPEG pictures in addition to ProRes video information to the cloud. Whereas a devoted FT-XH File Transmitter grip and ultra-fast web are minimal necessities, this characteristic can fully revolutionize the workflow of hybrid photographers.
Value and availability
The corporate revealed the ultimate value of the FUJINON HKZ25-1000mm PL mount field lens. This unique zoom will value rental properties $265,000 and will begin transport late subsequent month.
In only a few weeks throughout April, FUJIFILM may also launch free firmware updates to help Body.io Digital camera to Cloud integration for the X-H2S physique + FT-XH grip combo. Each merchandise are actually accessible to buy and are at the moment buying and selling at $2,499 (B&H/CVP) and $999 (B&H/CVP) respectively.
Have you ever ever used a field model lens for cinema functions? What’s your favourite FUJIFILM product from the present lineup? Tell us your ideas within the feedback part under!
FUJIFILM Day at the ASC Clubhouse – Here’s Our Recap